The Americanized version of Toho’s “Gojira” franchise is about nothing if not large, gaudy set-pieces. There are dozens of scenes, each involving catastrophic property damage, noisy weaponry and variable special effects, all topped off with a dollop of some truly execrable screenwriting and stereotypically boobish cartoon cutouts substituting as recognizable human characters. In other words: a typical Roland Emmerich blockbuster. The basic premise of a large behemoth running amok in a modern city is hardly a new concept unless we ignore the 1925 silent feature “The Lost World” or 1933’s “King Kong” or 1953’s “The Beast From 20.000 Fathoms” or any number of Harryhausen features, or…well, you get the idea.
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