This slideshow requires JavaScript.
BUT A MERE SAMPLING OF THOSE SUCKERED IN BY THE SWEEET NARCOTIC THAT IS CHANDLER SWAIN REVIEWS
DO YOU FEAR THAT LIFE IS TAKING YOU FOR A RIDE? SUBSCRIBE TODAY!
-
Join 707 other subscribers
VICTIMS OF MORBID CURIOSITY: DON'T LET THIS HAPPEN TO YOU!
- 117,041 hits
REX TRAILER
1928 - 2013
A WORD OF THANKS
WELCOME
If you don't like what you see, what the heck- it's free!
"When you have eliminated the impossible, whatever is left, however improbable, must be the truth."
3-D MOVIES 1920's cinema 1930's movies 1940's movies 1950's cinema 1950's movies 1960's cinema 1960's movies 1970's cinema 1970's movies 1980's cinema 1980's movies 1990's movies acting Africa Alan Ladd Alfred Hitchcock Alistair MacLean Andy Warhol animation Annette Haven art house cinema Audie Murphy Audrey Hepburn ava gardner Barbra Streisand Bert I. Gordon biography black cinema Blaxploitation blogging blogs book reviews books Boris Karloff Boston Bo Widerberg films Brigitte Bardot British films Bruce Dern Burt Lancaster Canada cartoons Cecil B. DeMille Charles Bronson Charlton Heston children children's books China Christmas cinema clark gable clint eastwood Cold War comedy comic books crime Culture dance Dean Martin disaster films Disney Documentaries Doris Day drive-in cinema Drive-In Movies DVD Eartha Kitt Edgar Allan Poe education Ed Wood Eli Wallach Elvis Presley Entertainment erotica espionage Eurospy movies fantasy fay wray Federico Fellini Film Film Criticism film noir Film Reviews Films food football fRANKENSTEIN Frank Sinatra French cinema French movies Gary Oldman gene hackman George C. Scott German cinema germ warfare ghosts giallo Godzilla Gregory Peck grindhouse grindhouse cinema H.P. Lovecraft Hammer films Helen Hunt Helen Mirren History Hitchcock holidays horror horror films how-to? humor Ingrid Thulin Ireland Italian cinema Italy Jack Arnold films Jack Lemmon Jack Nicholson James Garner James Stewart Jane Fonda Jean-Louis Trintignant Jean-Paul Belmondo Jean Renoir Jennifer Welles Jenny Agutter Jim Brown Joel McCrea John Agar John Ford john ford films John Huston John Wayne joseph cotten juvenile delinquency kaiju Kenneth Branagh Kirk Douglas Laurence Olivier Lee Van Cleef Linda Lovelace Lon Chaney London Mai Zetterling. Marilyn Monroe Marlon Brando medicine Mexico Michael Caine Michael York Mimsy Farmer movie remakes movie reviews Movies movie sequels music Musicals Mystery Nat King Cole Neil Simon new england New York City Orson Welles parenting Paris Paul Newman Paul Schrader Peter Sellers photography Pia Degermark Poe in the Cinema politics Porno Chic pornography Pre-Code Movies psychiatry Puzzles racism Ralph Bakshi Raquel Welch Ray Harryhausen religion Reviews Richard Burton Richard Matheson Richard Widmark Robert Redford Robert Wise films Rod Steiger Rod Taylor Roger Corman Roger Vadim Romance Rosalba Neri Roy Scheider Sam Peckinpah Sandra Dee Santa Claus science science fiction Science fiction films science fiction films Sean Connery sex Sex in Cinema short films short stories Sidney Lumet Sidney Poitier silent films silent movies Sophia Loren Spanish films Spencer Tracy Spike Milligan sports Stanley Kurbick Star Trek Steve McQueen Swedish cinema Sylvia Kristel Television Terence Fisher Terence Stamp Thanksgiving theater theaters The Beatles the films of john wayne Uncategorized vampires vermont Videos Vietnam vincent price war movies weddings westerns William Friedkin william friedkin films William Holden women Woody Allen World War II writing yul brynner films zombies-
The Discreet Posts of the Bourgeoisie
- Chandler’s Trailers: “The Alphabet Murders” (1965)
- Chandler’s Trailers: “The Card Counter” (2021)
- Chandler’s Trailers: “The Hound of the Baskervilles” (1978)
- Suspicious Minds: “Elvis” (2022)
- Dear Cinema Santa: 2022 Edition
- “There Ain’t No Sanity Clause”: Classic Film Images Photo Quiz, Dec. 2022 Edition, Vol. 12.25
- Untrue Confessions: “Witchfinder General” (1968)
- Concession Stand Bites: “Belfast” (2021)
- Vacancy: “Hotel” (1967)
- Haven’t We Killed Here Before?: “The Formula” (1980)
- Railroaded: “Fool’s Parade” (1971)
- TCM’s Chicken or Egg Conundrum
- Chandler’s Trailers: “The Batman” (2022)
- Boom and Boom Again: “The Suicide Squad” (2021)
- Concession Stand Bites: “The Legend of the Lone Ranger” (1981)
- Bats: Classic Film Images Photo Quiz, July 2022 Edition, Vol. 9
- Entropy Is What It Used To Be: “Tenet” (2020)
- Blood and Sand: “The Longest Day” (1962)
- Barred: Classic Film Photo Quiz, June 2022 Edition, Vol. 25 – Life
- Eye of the Needle: Classic Film Images Photo Quiz, April 2022 Edition, Vol. 60
- Repeating Trifle: “Comanche Territory” (1950)
- When Your Fingers Did the Walking: Classic Film Images Photo Quiz, March 2022 Edition, Vol. 411
- Slippery Slopes: Classic Film Images Photo Quiz, Feb. 2022 Edition, Vol. -10
- Whiskers: Classic Film Images Photo Quiz, Jan. 2022 Edition, Vol. 9
- Have I Got A Girl For You: Classic Film Images Photo Quiz, Dec. 2021 Edition, Vol. 35mm
- Smoke Gets In Your Eyes: Classic Film Image Photo Quiz, Nov. 2021 Edition, Vol. 3000
- Pedalers: Classic Film Images Photo Quiz, Oct. 2021 Edition, Vol. 400.6
- They Had Lenses Then: Classic Film Images Photo Quiz, Sept. 2021 Edition, Vol. 35mm
- Exeunt, Joan: “Trog” (1970)
- They Shoot Bad Movies Don’t They?: Classic Film Images Photo Quiz, Aug. 2021 Edition, Vol. 35MM
- …On Gossamer Wings: Classic Film Images Photo Quiz, July 2021 Edition, Vol. 0G
- Swamp Thang: “‘Gator Bait” (1974)
- Blood and Sand: “The Longest Day” (1962)
- Memorium: Classic Film Images Photo Quiz, July 2021 Edition, Vol. 6
- Horse Sense: Classic Film Images Photo Quiz, May 2021 Edition, Vol. 6 Hands
- Without a Clue: “The Stone Killer” (1973)
- Strange Bedfellows: “Public Affairs” (1983)
- Isn’t Running a Sign You’re Up to No-Good?: Classic Film Images Photo Quiz, Apr. 2021 Edition, Vol. 26.2
- All Creatures Great and Small: Classic Film Images Photo Quiz, March 2021 Edition, Vol. 46XXL
- In the Realm of the Insensible: “Jade” (1995)
- Jungle Daze: “Trader Horn” (1973)
- Lurching: “The Addams Family” (2019)
- Noir!: Classic Film Images Photo Quiz, Feb. 2021 Edition, Vol. .38
- Thundering Cliff Notes: “Tombstone” (1993)
- Riding Off Into the Rising Sunset: “Red Sun” (1971)
- Lucky 2021: Classic Film Images Photo Quiz, Jan. 2021 Edition, Vol. 0-0
- Getting Crabs: “Attack of the Crab Monsters” (1957)
- Black and White in Color: “In the Heat of the Night” (1967)
- Castle Redux: “Two on a Guillotine” (1965)
- Heart of Darkness: “Justice League” (2017)
“They! They!”
Clearly if this little darling had been better versed in film quotes she wouldn't have ended up as a big bug appetizer. DON'T LET THIS HAPPEN TO YOU! Enroll today at BIJOUX U., otherwise known as FLIM FLAM FILM TALK, the greatest film blogsite this side of the otherside. Become well versed in filmology, cinemaology and overpriced popcornology all for nuthin' a serving. Just click on the photo above and enjoy the ride. Accredited by the academics at SMARTERIN U. FILM SCHOOL and operating while avoiding the cloud of federal indictment since 1806.
This slideshow requires JavaScript.
LINKS
WHAT’S NEW ON THE SITE?
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE ST. GEORGE THEATER
AT POSTS AND RECENT THINKINGS / DOCUMENTARIES
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / VIEWS FROM THE SCREENING ROOM
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / THE CONCESSION STAND III
AT POSTS AND RECENT THINKINGS / NOW PLAYING AT THE MERCADO CINEMA
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / THE CONCESSION STAND
AT POSTS AND RECENT THINKINGS /CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / HAMMER TIME
AT POSTS AND RECENT THINKINGS / NITES AT THE NATICK DRIVE-IN
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / NITES AT THE QUEENS CHAPEL DRIVE-IN
AT POSTS AND RECENT THINKINGS / NITES AT THE ROCKVILLE DRIVE-IN
AT POSTS AND RECENT THINKINGS / NOW PLAYING AT THE MERCADO CINEMA
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE UPTOWN THEATER
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE SILVER THEATER
AY POSTS AND RECENT THINKINGS / MATINEES AT THE BIJOUX
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE LANGLEY THEATER
AT POSTS AND RECENT THINKINGS / NITES AT THE ROCKVILLE DRIVE-IN
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE SACK CINEMAS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / MATINEES AT THE BIJOUX
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE LANGLEY THEATER
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE SACK CINEMAS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS /CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS
AT POSTS AND RECENT THINKINGS/ DAYS & NIGHTS AT THE GRINDHOUSE
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE STATE THEATER
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE ROTH THEATERS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE UPTOWN THEATER
AT POSTS AND RECENT THINKINGS / THE SILENTS
AT POSTS AND RECENT THINKINGS / CHANDLER’s TRAILERS
AT POSTS AND RECENT THINKINGS / DAYS & NIGHTS AT THE GRINDHOUSE
AT POSTS AND RECENT THINKINGS / NITES AT THE NATICK DRIVE-IN
AT POSTS AND RECENT THINKINGS / DAYS & NIGHTS AT THE GRINDHOUSE
AT POSTS AND RECENT THINKINGS / MATINEES AT THE BIJOUX
AT POSTS AND RECENT THINKINGS / NOW PLAYING AT THE MERCADO CINEMA
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE SACK CINEMAS
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE SACK CINEMAS
AT POSTS AND RECENT THINKINGS / THE CONCESSION STAND
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE LANGLEY THEATER
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS ? CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / REMEMBRANCE OF FILMS FORGOTTEN
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / NOW PLAYING AT THE MERCADO CINEMA
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE ROTH THEATERS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE ASPEN HILL CINEMA
AT POSTS AND RECENT THINKINGS / SHOPPERS WORLD CINEMA
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / CONCESSION STAND II
AT POSTS AND RECENT THINKINGS / CONCESSION STAND II
AT POSTS AND RECENT THINKINGS / CONCESSION STAND III
AT POSTS AND RECENT THINKINGS / CONCESSION STAND III
AT POSTS AND RECENT THINKINGS / CONCESSION STAND III
AT POSTS AND RECENT THINKINGS ART HOUSE CINEMA
AT POSTS AND RECENT THINKINGS / NITES AT THE DRIVE-IN CINEMA
AT POSTS AND RECENT THINKINGS / NITES AT THE DRIVE-IN CINEMA
AT POSTS AND RECENT THINKINGS / NITES AT THE DRIVE-IN CINEMA
AT POSTS AND RECENT THINKINGS / NITES AT THE DRIVE-IN CINEMA
AT POSTS AND RECENT THINKINGS / NITES AT THE DRIVE-IN CINEMA
AT POSTS AND RECENT THINKINGS / NITES AT THE DRIVE-IN CINEMA
AT POSTS AND RECENT THINKINGS / NITES AT THE DRIVE-IN CINEMA
AT POSTS AND RECENT THINKINGS / NITES AT THE DRIVE-IN CINEMA
AT POSTS AND RECENT THINKINGS / NITES AT THE DRIVE-IN CINEMA
AT POSTS AND RECENT THINKINGS / CONCESSION STAND II
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE ST. GEORGE THEATER
AT POSTS AND RECENT THINKINGS / THE CONCESSION STAND III
AT POSTS AND RECENT THINKINGS / CONCESSION STAND III
AT POSTS AND RECENT THINKINGS / THE CONCESSION STAND II
AT POSTS AND RECENT THINKINGS / THE CONCESSION STAND
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE COOLIDGE CORNER THEATRE
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE ST. GEORGE THEATER
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE STATE THEATER
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / NITES AT THE DRIVE-IN CINEMA
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / CINEMA ITALIANO
ON POSTS AND RECENT THINKINGS / NITES AT THE ROCKVILLE DRIVE-IN
ON POSTS AND RECENT THINKINGS / REMEMBRANCE OF FILMS FORGOTTEN
ON POSTS AND RECENT THINKINGS / NOW PLAYING AT THE MERCADO CINEMA
ON POSTS AND RECENT THINKINGS / DAY & NIGHTS AT THE GRINDHOUSE
ON POSTS AND RECENT THINKINGS / SEXUAL POLITICS IN THE CINEMA
AT POSTS AND RECENT THINKINGS / MATINEES AT THE FRANKLIN CINEMA
AT POSTS AND RECENT THINKINGS / DRIVE-IN CINEMA
AT POSTS AND RECENT THINKINGS / NITES AT THE NATICK DRIVE-IN
AT POSTS AND RECENT THINKINGS / NIGHT AT THE ROTH THEATERS
AT POSTS AND RECENT THINKINGS /SEXUAL POLITICS IN THE CINEMA
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE UPTOWN THEATER
AT POSTS AND RECENT THINKINGS / THE SILENTS
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE LANGLEY THEATER
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE SACK CINEMAS
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE COOLIDGE CORNER THEATRE
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE UPTOWN THEATER
AT POSTS AND RECENT THINKINGS / CONCESSION STAND 2
A review of Tim Burton's SF satire "MARS ATTACKS!" starring Jack Nicholson, Rod Steiger, Martin Short, Jim Brown and Lisa Marie.
AT POSTS AND RECENT THINKINGS / SHORT FILMS: THE OTHER CINEMA
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE SACK CINEMAS
AT POSTS AND RECENT THINKINGS / DAYS AND NIGHTS AT THE GRINDHOUSE
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE ROTH THEATERS
AT POSTS AND RECENT THINKINGS / NITES AT THE SHOPPER’S WORLD CINEMA
AT POSTS AND RECENT THINKINGS / ALL AGES ADMITTED
AT POSTS AND RECENT THINKINGS / DAYS AND NIGHTS AT THE GRINDHOUSE
AT POSTS AND RECENT THINKINGS
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE SACK CINEMAS
AT POSTS AND RECENT THINKINGS / SEXUAL POLITICS IN THE CINEMA
AT POSTS AND RECENT THINKINGS / NOW PLAYING AT THE MERCADO CINEMA
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE SACK CINEMAS
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINS / NITES AT THE BELLINGHAM DRIVE-IN
AT POSTS AND RECENT THINKINGS
AT POSTS AND RECENT THINKINGS / THE CONCESSION STAND III
AT POSTS AND RECENT THINKINGS / GIALLO
AT POSTS AND RECENT THINKINGS / NOW PLAYING AT THE MERCADO CINEMA
AT POSTS AND RECENT THINKINGS / NOW PLAYING AT THE MERCADO CINEMA
AT POSTS AND RECENT THINKINGS / SHORT FILMS
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE ASPEN HILL CINEMA
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE ROTH THEATERS
AT POSTS AND RECENT THINKINGS / ART HOUSE CINEMA
AT POSTS AND RECENT THINKINGS / NITES AT THE BELLINGHAM DRIVE-IN
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE ROTH THEATERS
AT POSTS AND RECENT THINKINGS
AT POSTS AND RECENT THINKINGS
AT POSTS AND RECENT THINKINGS / THE CONCESSION STAND
AT POSTS AND RECENT THINKINGS / SHORT FILMS
AT POSTS AND RECENT THINKINGS / SEXUAL POLITICS IN THE CINEMA
AT POSTS AND RECENT THINKINGS / NITES AT THE ROCKVILLE DRIVE-IN
AT POSTS AND RECENT THINKINGS / SHORT FILMS
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE ST. GEORGE THEATER
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE ST. GEORGE THEATER
AT POSTS AND RECENT THINKINGS / THE CONCESSION STAND III
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / THE SILENTS
AT POSTS AND RECENT THINKING / MATINEES AT THE BIJOUX
AT POSTS AND RECENT THINKINGS / THE HOLLYWOOD BOOKSHELF
AT POSTS AND RECENT THINKINGS / NITES AT THE SHOPPERS WORLD CINEMA
AT POSTS AND RECENT THINKINGS / THE CONCESSION STAND III
AT POSTS AND RECENT THINKINGS / DVD WATCH
AT POSTS AND RECENT THINKINGS / DVD WATCH
AT POSTS AND RECENT THINKINGS / DVD WATCH
AT POSTS AND RECENT THINKINGS / THE CONCESSION STAND II
AT POSTS AND RECENT THINKINGS / GIALLO
AT POSTS AND RECENT THINKINGS / NITES AT THE ROCKVILLE DRIVE-IN
AT POSTS AND RECENT THINKINGS / NITES AT THE BELLINGHAM DRIVE-IN
AT POSTS AND RECENT THINKINGS / NITES AT THE NATICK DRIVE-IN
AT POSTS AND RECENT THINKINGS / CHANDLER’S TRAILERS
AT POSTS AND RECENT THINKINGS / THE SILENTS
AT POSTS AND RECENT THINKINGS / THE SILENTS
AT POSTS AND RECENT THINKINGS / DAYS AND NIGHT AT THE GRINDHOUSE
AT POSTS AND RECENT THINKINGS / NOW PLAYING AT THE MERCADO CINEMA
AT POSTS AND RECENT THINKINGS / THE HOLLYWOOD BOOKSHELF
AT POSTS AND RECENT THINKINGS / NITES AT THE QUEENS CHAPEL DRIVE-IN
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE ST. GEORGE THEATER
AT POSTS AND RECENT THINKINGS / NITES AT THE DRIVE-IN CINEMA
AT POSTS AND RECENT THINKINGS / NITES AT THE QUEENS CHAPEL DRIVE-IN
AT POSTS AND RECENT THINKINGS / NITES AT THE QUEENS CHAPEL DRIVE-IN
AT POSTS AND RECENT THINKINGS / NITES AT THE QUEENS CHAPEL DRIVE-IN
AT POSTS AND RECENT THINKINGS / ART HOUSE CINEMA
AT POSTS AND RECENT THINKINGS / THE SILENTS
AT POSTS AND RECENT THINKINGS
AT POSTS AND RECENT THINKINGS / NITES AT THE ROCKVILLE DRIVE-IN
AT POSTS AND RECENT THINKINGS / NITES AT THE NATICK DRIVE-IN
AT POSTS AND RECENT THINKINGS
AT POSTS AND RECENT THINKINGS
AT POSTS AND RECENT THINKINGS
AT POSTS AND RECENT THINKINGS / NIGHTS AT THE ST. GEORGE THEATER
AT POSTS AND RECENT THINKINGS
AT POSTS AND RECENT THINKINGS / THE SILENTS
AT POSTS AND RECENT ThINKINGS / NITES AT THE SHOPPER’S WORLD CINEMA
AT POSTS AND RECENT THINKINGS / SEXUAL POLITICS IN THE CINEMA
AT POSTS AND RECENT THINKINGS / HAMMER TIME
AT POSTS AND RECENT THINKINGS / NITES AT THE ROCKVILLE DRIVE-IN
AT POSTS AND RECENT THINKINGS / THE SILENTS
AT POSTS AND RECENT THINKINGS
AT POSTS AND RECENT THINKINGS/ DAYS & NIGHTS AT THE GRINDHOUSE
AT POSTS AND RECENT THINKINGS / THE CONCESSION STAND
AT POSTS AND RECENT THINKINGS / DAYS & NIGHTS AT THE GRINDHOUSE
AT POSTS AND RECENT THINKINGS / NOW PLAYING AT THE MERCADO CINEMA
AT POSTS AND RECENT THINKINGS / CONCESSION STAND III
AT POSTS AND RECENT THINKINGS / DAYS & NIGHTS AT THE GRINDHOUSE
AT POSTS AND RECENT THINKINGS / NITES AT THE NATICK DRIVE-IN
AT POSTS AND RECENT THINKINGS / NITES AT THE DRIVE-IN CINEMA
AT POSTS AND RECENT THINKINGS / NOW PLAYING AT THE MERCADO CINEMA
AT POSTS AND RECENT THINKINGS/ NITES AT THE DRIVE-IN CINEMA
AT POSTS AND RECENT THINKINGS / THE CONCESSION STAND II
AT POSTS AND RECENT THINKINGS / NITES AT THE DRIVE-IN CINEMA
AT POSTS AND RECENT THINKINGS / NITES AT THE QUEEN’S CHAPEL DRIVE-IN
AT POSTS AND RECENT THINKINGS / THE CONCESSION STAND
AT POSTS AND RECENT THINKINGS / NITES AT THE NATICK DRIVE-IN
AT POSTS AND RECENT THINKINGS
AT POSTS AND RECENT THINKINGS/ NITES AT THE BELLINGHAM DRIVE-IN
AT POSTS AND RECENT THINKINGS/ ART HOUSE CINEMA
-
Join 707 other subscribers
MOVIES NOW PLAYING ON CHANDLER SWAIN REVIEWS
AT THE MERCADO LOUNGE- THE EAST WING
AT THE MERCADO LOUNGE- THE NORTHERN ARCADE
NOW PLAYING ON OUR DRIVE-IN PAGES. TUESDAY NITE IS BARGAIN NITE- ONLY $2 PER CARLOAD. KIDS HIDDEN AND SMOTHERED IN THE TRUNK ADMITTED FREE!
AT NITES AT THE DRIVE-IN CINEMA
PLUS Exciting SECOND FEATURE
AT NITES AT THE NATICK DRIVE-IN
COME AND RELAX AT THE MERCADO LOUNGE
“HOUSTON, WE HAVE A PROBLEM.”
THE SEEKING OF WISDOM
FILMS DEMANDING REDISCOVERY:
Michelangelo Antonioni's neglected "Identificazione di una donna" relinquishes the metaphysical mire which had plagued the director for over a decade, and offered an introspective view of life, creation, sex and love. A film worthy of attention and serious reappraisal.
THE CRITICAL MINDS RESPONSIBLE FOR THIS SITE
MANDATORY CINEMA FOR THE CRITICAL MIND
Federico Fellini's 1953 masterwork "I vitelloni", his greatest, most personal and ultimately most influential work.
Dusty Things on the Shelf
Categories
OUR MASCOT BENNY
For cryin' out loud, watch your fingers because if he hasn't had his peanut butter, he gets really cranky!
RECOMMENDED SOUNDTRACKS
This slideshow requires JavaScript.
READ CHANDLER SWAIN REVIEWS
Converting Populist Stooges Into Critical Thinkers In The Blink Of An Eye!
IMAGES FROM THE DRIVE-IN
MANDATORY CINEMA FOR THE CRITICAL MIND
The essential 1967 Russian film "Viy" was actually the first horror film produced in the Soviet regime.
Enemies of Freedom…
...and probable Populist finks Boris and Natasha.
Top Posts & Pages
LEGAL THREATS & BOSSY MUMBO JUMBO
All material displayed is protected under copyright 2011 by Chandler Swain, Chandler Swain Reviews and parent companies therefore and whatnot. No material will be copied without the written permission of above parties unless the offender wishes to suffer a cruel fate worse than any experienced by a spouse of any reality program housewife, skank or pseudo-trash celebrity. Thou hast been warned. Just kidding.RECOMMENDED SOUNDTRACKS
"La Dolce Vita" (Nino Rota)
FEARLESS LEADER
THE CRITICAL ESTABLISHMENT : AN INTRODUCTION
What is it we seek from the Cinema? It all depends on your point of view.
For some, the movies are a source of seeking refuge from everyday existence, a release from daily tensions and anxieties. This is escapism and it has been the driving factor of the Populist attraction to the movies since the origin of the form. However, if one were to alter the view and regard film without merely the Populist limitations of escapist diversion but also as an Art Form, the perspective deepens and enters the realm of Critical Thought.
Though inconsistent in perspective, each side has validity, and is actually far more dependent on the existence of the other than would first seem possible. In a nutshell, it is a battleground between perceived verisimilitude against the aesthetic Ideal.
In formulating the foundations of The Critical Establishment,
it is necessary to understand the characteristics of each perspective, to note the seemingly contradictory similarities and disparities, and their often inextricable interconnections.THE CRITICAL ESTABLISHMENT : The Reviewer as Vox Populi
In examining both Populist thought and Critical Thinking in Film, it is useful to define the key players in the field: the reviewers and the critics. Though seemingly cut from the same cloth, there is a world of difference. Reviewers are the professional manifestation of the Populist front; reviewers have a primary focus on entertainment value while critics evaluate under an aesthetic criteria, reviewers reward immediate gratification whereas critics seek artistry.
With the burgeoning of internet filmspeak, there is a misconception that the old model of printed press criticism is being eroded by the emergence of an equal internet critical roster. This, however, is a fallacy. One thing is for certain, even with a cursory glance at popular internet movie sites: reviewers are plentiful and genuine criticism of merit is as scarce as water in the Mojave Desert.
The reviewer will generally spend the bulk of their time reprinting the plot synopsis of a film, often almost verbatim from the printed materials of the studio. While this assists handily in filling a column, it does little to illuminate the worth of a film. The reviewer will often spend an inordinate amount of time relaying such unessential data as background gossip, "best" lists and an alarming volume of space on film finances- usually relating to either the film's budget (as if the writer had a financial stake in the enterprise) or opening weekend receipts, neither of which has the slightest bearing on the film's aesthetic achievement.
-to be continued
RECOMMENDED SOUNDTRACKS
"O Lucky Man!" (Alan Price)
TREASURES FROM THE CHUM BUCKET
PAGES TO PERUSE
- SMARTERIN UNIVERSITY SCHOOL OF FILM
- ALL AGES ADMITTED
- CHANDLER SWAIN REVIEWS: NITES AT THE NATICK DRIVE-IN
- CHANDLER SWAIN REVIEWS: NITES AT THE ROCKVILLE DRIVE-IN
- CHANDLER’S TRAILERS- Short Bits for Emerging Cinephiles and a Better America
- Cinema Canada: Our Neighbors Upstairs
- Cinema Disturbia
- Cinema Down Under
- Cinema Francais
- CINEMA ITALIANO
- CINEMA ITALIANO: THE WORLD IN GIALLO
- Cinema Scandinavia
- CineSinema
- Days and Nights at the Chestnut Hill Cinemas
- DOCUMENTARIES
- DVD WATCH
- Evenings at the AFI
- Evenings at the Cleveland Circle Cinema
- Evenings at the Outer Circle
- FOR QUEEN AND COUNTRY: THE BRITISH CINEMA
- Hammer Time
- LONE EYE’S VIEW: INDEPENDENT CINEMA
- Masterpieces in the Bijou Lobby: The Art of the Film Poster
- Matinees at the Bijoux
- Matinees at the Franklin Cinema
- Momento Mori
- Multiplex Movies
- NIGHTS AT THE ASPEN HILL CINEMA
- NIGHTS AT THE CINEMA 733
- Nights at the Coolidge Corner Theatre
- Nights at the KB Cinemas
- Nights at the Langley Theater
- Nights at the Laurel Drive-In
- Nights at the Orson Welles Cinema
- Nights at the PARK SQUARE CINEMA
- Nights at the Roth Theaters
- Nights at the Sack Cinemas
- Nights at the Silver Theater
- NIGHTS AT THE ST. GEORGE THEATER
- Nights at the State Theater
- NIGHTS AT THE UPTOWN THEATER, WASHINGTON D.C.
- NIGHTS AT THE WHEATON PLAZA PLAYHOUSE
- NITES AT THE SHOPPERS WORLD CINEMA
- POSTS AND RECENT THINKINGS
- Poverty Row
- Remembrance of Films Forgotten
- Retired Puzzles
- Sexual Politics in the Cinema
- SHORT FILMS: The Other Cinema
- The Concession Stand III: Guns of the Quick Nibble Reviews
- THE FILM VAULT: INDEX OF REVIEWED FILMS
- Views From The Screening Room
- WELCOME TO THE WONDERFUL WORLD OF CINEMA
- Notes From The Critical Establishment
- NOW PLAYING AT THE MERCADO CINEMA
- THE MERCADO LOUNGE: a rest stop for the Critical Mind
- The Hollywood Bookshelf
- CHANDLER SWAIN REVIEWS: NITES AT THE DRIVE-IN CINEMA
- The Concession Stand: Quick Nibble Reviews
- CHANDLER SWAIN REVIEWS: ART HOUSE CINEMA
- Chandler Swain Reviews: The Silents
- Sticky Floors, Stained Screens: Days & Nights at The Grindhouse
Category Archives: Films
“Get Off Our Land, White Man” (The Rest of You Too): Classic Film Images Photo Quiz, November 2016 Edition, Vol. 1620
“Get Off Our Land, White Man” (The Rest of You Too): Classic Film Images Photo Quiz, November 2016 Edition, Vol. 1620 This year, the season of Thanksgiving finds greater than normal reasons to give thanks, not the least of … Continue reading
Chandler’s Trailers: “Gunfight at the O.K. Corral” (1957)
John Sturges’ rousing “Gunfight at the O.K. Corral” could never be confused with an historical study aid; the film is structured as an illustrative compliment to the ballad form, here colorfully vocalized by Frankie Laine, and commensurate with the said form, the … Continue reading
Cowboys Will Be Boys: “The Sons of Katie Elder” (1965)
“The Sons of Katie Elder” (1965) If the challenge for any film is for that movie to deliver an original and memorable experience, then that challenge may become doubly daunting in the case … Continue reading
Happy Hostage: “Bandolero!” (1968)
“Bandolero!” (1968) A most peculiar entry in the western genre is Andrew V. McLagen’s “Bandolero!”, a film which gives a fresh- though unpersuasive -perspective to the notion of the Stockholm Syndrome, is also a vehicle … Continue reading
Make Him Dance, Boys: “Pale Rider” (1985)
In “Pale Rider”, director Clint Eastwood has fashioned not so much a remake of “Shane” as a reinterpretation of the story’s key elements mixed with a retooling of the basic supernal retributive conventions of his own 1973 “High … Continue reading
Stacking the Deck: “Posse” (1975)
When a commercial western advances an ambitious thematic agenda within the inevitable genre tropes, it is perhaps an occasion to pay greater attention to the work at hand, while concurrently such increased scrutiny might also lay bare … Continue reading
Treading Water in a Desert: “The Train Robbers” (1973)
If one considers the staggering volume of western stories related on both the big screen and television (this latter sausage grinder of ideas devoured such an incomprehensible amount of scripts that even the occasional trace of originality would be … Continue reading
Chandler’s Trailers: “Mackenna’s Gold” (1969)
Marshal Sam Mackenna (Gregory Peck) is kidnapped by long-time nemesis John Colorado (Omar Sharif) and his gang who believe the lawman is privy to the location of a spectacularly rich lode of gold in J. Lee Thompson’s … Continue reading
Out to Pasture: “Rio Lobo” (1970)
“Rio Lobo” reeks of exhaustion. The final film in the lengthy and often illustrious career of director Howard Hawks, this western is a continuation of a pattern of laconic narrative drifting that has increasingly characterized the greater number … Continue reading
Chandler’s Trailers: “Smashing Time” (1967)
“Smashing Time” is a perfect example of a movie whose failure is evident from its belief in it’s own terminal cuteness; an affliction suffered by any film which features either an onscreen crowd or audience shown to … Continue reading
The Riding Wounded: “Hang ’em High” (1968)
With the successful American release of Sergio Leone’s “Dollars” trilogy, the time was right for Clint Eastwood to re-emerge on the domestic movie front with this western tale of vigilantism/revenge, which more than any other work up to this … Continue reading
The Western’s Last Stand: “True Grit” (1969)
By 1969, the Western as a film genre had begun to be officially- but prematurely -declared dead, in no small part due to the overabundant proliferation of western programs on television. Yet, that same year found the … Continue reading
Breaking Badly: “The Missouri Breaks” (1976)
A BRIEF NOTE: The recently posted You Can’t Go Homestead Again: Notes on Western Revisionism was actually the introductory portion of this very review, which was not only running a bit lengthy, but also threatened to dilute the attention away … Continue reading
You Can’t Go Homestead Again: Notes on Western Revisionism
The dirty little secret about revisionism is that it rarely provides the intended setting for demythologizing without creating, not a revealing truth, but a substitute mythology. The move toward revisionism in the western film genre is generally … Continue reading
Shots in the Dark: “The Quick and the Dead” (1995)
The spaghetti western differs importantly from its American western inspiration in that while the American tradition is based upon genuine historical experience (however mythologized), the Italian western is based upon the cinematic form of … Continue reading
MONTHLY PHOTO QUIZ VOL. 1620
SINCE YOU ARE WHAT YOU EAT, YOU MUST HAVE HAD A LOVE AFFAIR WITH BOLOGNA: NOVEMBER 2013 CLASSIC FILM IMAGES QUIZ, VOL. 1620 Here we are, boys and girls, with another exciting edition of America’s favorite duty free brain … Continue reading
The 2013 Annual Critical Establishment Readers Survey
________________________________________________________________ All readers, bloggers and film enthusiasts are encouraged to participate in the following 59 question survey. ________________________________________________________________________________ 01. Who/what do you feel is the most overrated actor, actress, director and film? 02. Who/what do you feel is the … Continue reading
Leap of Faith: “Evel Knievel” (1971)
Marvin J. Chomsky’s film”Evel Knievel” is a supposed biography of the famous motorcycle daredevil, though any relationship to persons living or dead are surely coincidental. This biographical film starring George Hamilton (no stranger to cinematic impersonation, portraying Moss … Continue reading
Apocalypse Why?: “DAMNATION ALLEY” (1977)
Hollywood loves a good apocalypse. The cinema has been rife with visions of Man’s inevitable (according to filmmakers) plunge into the doomsday abyss, whether through atomic obliteration (“On the Beach”, “The World, the Flesh and the Devil”, “Five”, “Panic … Continue reading
Hand-Me-Downs: “True Grit” (2010)
Typical laconic Coen brothers film with as equal a derivation from Portis’ enjoyable but vastly overrated novel as the 1969 Henry Hathaway original. Although the Coens extract a more pronouncedly acute sense of accuracy in their mise-en-scene, the … Continue reading
DVD WATCH: TCM GREATEST CLASSIC FILMS COLLECTION: SCI-FI ADVENTURE
Includes: “Them!” (1954) Starring James Whitmore, Edmund Gwenn, James Arness, Joan Weldon, Onslow Stevens, Sean McClory, Fess Parker. Directed by Gordon Douglas. B/W. 92 minutes, full frame, Language: english, Subtitles: english, french, spanish, portugese, japanese. “The Beast from 20.000 Fathoms” (1953) Starring Paul … Continue reading
DVD WATCH: RAY HARRYHAUSEN GIFT SET
Set includes the following films: “It Came From Beneath the Sea” (1955) starring Kenneth Tobey, Faith Domergue; Directed by Robert Gordon; b/w; aspect ratio 1:85 anamorphic widescreen; english language w/english,french,chinese, thai, spanish, portugese subtitles; running time: 78 minutes; no rating. … Continue reading
Suppose They Committed a Murder and Nobody Cared?: “Le foto proibite di una signora per bene” (1970)
“Why on Earth should I love you less because of a sex fiend?” A young woman takes a bubble bath, drinks to excess and pops unknown pharmaceuticals while mentally fantasizing about tormenting her … Continue reading
The End of the World on $5 a Day: “Crack in the World” (1965)
Film makers seem to love destroying things; whether out of a sense of misplaced professional frustration (After all, it is the director who is the God-like authority on the set, are they not?) or the thought that since they … Continue reading
Below the Border: “100 Rifles” (1969)
________________________________________________________________ “100 Rifles” is a fast-paced western adventure unfolding amid the chaos of the Mexican Revolution, completely unlike Tom Gries’ earlier film- the overlooked masterwork “Will Penny” -this film suffers from a perpetual inconsistency of tone; veering wildly from … Continue reading
Man Vs. Mollusk: “The Monster That Challenged the World” (1957)
In a decade in which the human race was menaced by gigantic Atomic Age mutants of every variety, from prehistoric monsters (“The Beast From 20,000 Fathoms”, “Gojira”), to ants (“Them!”), a tarantula (“Tarantula”), scorpion (“The Black Scorpion”), praying mantis … Continue reading
Slumber Party: “The Switchblade Sisters” (1975)
Films that purport to be Exploitation cinema but follow the routine thematic formulas of this breed of cinema without encompassing genuine prerequisite exploitation elements is simply trash without a reason to exist. Jack Hill’s “Switchblade Sisters” (alternately titled … Continue reading
All Torn Up and No Place to Go: “Willard” (1971)
Based on Stephen Gilbert’s nasty little chiller Ratman’s Notebooks, Daniel Mann’s 1971 “Willard” is a horror movie that has the feel of a domestic drama about loneliness that just happens to feature a few rat homicides. Though the film … Continue reading
MONTHLY PHOTO QUIZ VOL. 684
PORTRAIT OF A PHOTO AS A TRIVIALITY: JUNE CLASSIC FILM IMAGES QUIZ June is the month of Joyce. James Joyce. Actually, any month is a time for good reading, but the pressure of coming up with new and interesting … Continue reading
Running on Empty: “The Place Beyond the Pines” (2013)
When a film is lauded first and foremost for the intent of its ambition it’s a pretty clear indication that something has gone seriously amiss, as if the director should collect brownie points for what he (or she) hoped … Continue reading
Memory Ploys: “The Debt” (2011)
The end of the Cold War has been a terrible burden on filmmakers, removing the historically aggravating catalyst of Hollywood’s paranoid conspirators, the Communists (ignoring the fact that practically a quarter of the world’s population is controlled by Red … Continue reading
Love Intestinal-Style: “Andy Warhol’s Frankenstein” (1974)
Filmed immediately prior to “Andy Warhol’s Dracula”, more popularly known as “Blood For Dracula”, Paul Morrissey’s “Andy Warhol’s Frankenstein”, filmed under and later re-released under the title “Flesh For Frankenstein” after initial U.S. engagements which capitalized on the fame … Continue reading
The Colour Out of Place: “South Pacific” (1958)
The 1958 Joshua Logan film of “South Pacific” is a perfect demonstration of the value of the movie soundtrack album as a preferable experience over a film. In the former, there is much pleasure to be gained aurally … Continue reading
Double Exposed: “My Week With Marilyn” (2011)
“My Week With Marilyn” reacquaints the filmmaking world with an occasion to celebrate its favorite subject- itself -in an ultimately pointless exercise in dishonest nostalgia for the sake of the film world’s own self-love. Portraying real-life personages is always … Continue reading
Dead Man’s Hand: “The Ace of Hearts” (1921)
It is often true that the villain is a far more interesting character than the hero of a film. The more lurid the story, the chances are that the colorful antics of villainy will far outshine the interest generated … Continue reading
The Big Suck Theory: “Lifeforce” (1985)
Provocative science fiction presents a huge challenge to commercial cinema in that the conceptual abstractions which are often at the center of the story are a bafflement to filmmakers, who must reconfigure what are often obtuse descriptions expressed in … Continue reading
The Devil’s in the Details: “The Devil in Miss Jones” (1973)
After the release of “Deep Throat” there were a number of graphic, sexual films that met with both unexpected public enthusiam and excited media attention, that would form the basis of the temporarily fashionable trend known as “porno … Continue reading
The Look of Love: “Stolen Face” (1952)
Given the fixation the studios had in manipulating audiences, is it any wonder that the “Golden Age” age cinema is awash in overly produced symphonic assaults on the soundtrack, designed to emphasize to the audience the desired way in … Continue reading
Changing Times: “There Was a Crooked Man…” (1970)
If there were ever a film which demonstrates the confusion of veteran Hollywood studio directors in adapting to the then-newly found freedom afforded filmmakers with the abolition of the Production Code, it’s Joesph L. Mankiewicz’ 1970 serio-comic western, “There Was … Continue reading
Unfair Play: “The Cheat” (1915)
Cecil B. DeMille’s 1915 “The Cheat” is a morality play that manages the hypocritical feat of allowing the guilty embezzler, the shallow socialite Edith Hardy, to escape punishment from both the law and her particular social class, but excoriate … Continue reading
Saving Ciphers: “Argo” (2012)
There has been so much hoopla constructed around Ben Affleck’s “Argo”. most of it concentrated on the meaningless and continuously distasteful circus that is the Hollywood Awards Season- the seemingly year-round orgy of masturbatory, unmerited self-congratulation -with much of … Continue reading
Corset Interruptus: “The Notorious Daughter of Fanny Hill” (1966)
With little relation, save the inclusion of the eponymous heroine’s name, to the famous literary scandalmonger, “The Notorious Daughter of Fanny Hill” introduces Fanny’s offspring Kissy in a colorfully filmed (by later Hollywood heavyweight cinematographer László Kovács) but narratively … Continue reading
Drive, He Said: “Bullitt” (1968)
“Bullitt”, the first of what would become producer Philip D’Antoni’s “chase trilogy”, (the others being William Friedkin’s 1971 “The French Connection” and D’Antoni’s own 1973 “The Seven-Ups”) is notable for an exciting, impressively realized chase sequence up and … Continue reading
Red Blood, Black Heart: “Blood Feast” (1963)
Never to be considered in the same breath with any discussion of Art, the appalling 1963 full color bloodbath “Blood Feast” is undeniably a movie (it feels inappropriate except if wearing a hazmat suite to use the appellation film) … Continue reading
Mixed Messages: “Halls of Anger” (1970)
Paul Bogart’s “Halls of Anger” finds a barely perceptible niche in the often inflammatory tradition of Hollywood films that claim to expose the volatile underbelly of modern urban education, with all appropriate delinquencies bubbling forth in a gladiatorial arena … Continue reading
Shooting Blanks: “Death Wish” (1974)
“Death Wish” is a genuine curiosity; a terrible movie which prompted a great deal of useful, spirited and intelligent sociopolitical discussion. The theme of the film is justice, or rather the lack of it, and the rise of vigilantism … Continue reading
Sex, Drugs and TV: “The Groove Tube” (1974)
Ken Shapiro’s “The Groove Tube” is a raggedy collection of skits satirizing television ads and programs, a not especially challenging target that is met with a lack of conceptual focus and a wildly variant acuity of wit. In fact, … Continue reading
Shoot. Load. Repeat.: “The Enforcer” (1976)
It begins as a Squeaky Fromme wannabe is picked up by two gas company employees who are swiftly dispatched in rather gruesome fashion by blonde haired, blue-eyed psychopath Bobby Maxwell (DeVeren Bookwalter in full drooling grimace mode). These are … Continue reading
Shapeless: “The Blob” (1958)
Irvin S. Yeaworth Jr.’s “The Blob” is a film with an impressive cult legacy, but one that yields few actual rewards upon viewing. This small-town teen versus space monster picture does distinguish itself from many of the grade-B (or … Continue reading