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The Discreet Posts of the Bourgeoisie
- Chandler’s Trailers: “The Alphabet Murders” (1965)
- Chandler’s Trailers: “The Card Counter” (2021)
- Chandler’s Trailers: “The Hound of the Baskervilles” (1978)
- Suspicious Minds: “Elvis” (2022)
- Dear Cinema Santa: 2022 Edition
- “There Ain’t No Sanity Clause”: Classic Film Images Photo Quiz, Dec. 2022 Edition, Vol. 12.25
- Untrue Confessions: “Witchfinder General” (1968)
- Concession Stand Bites: “Belfast” (2021)
- Vacancy: “Hotel” (1967)
- Haven’t We Killed Here Before?: “The Formula” (1980)
- Railroaded: “Fool’s Parade” (1971)
- TCM’s Chicken or Egg Conundrum
- Chandler’s Trailers: “The Batman” (2022)
- Boom and Boom Again: “The Suicide Squad” (2021)
- Concession Stand Bites: “The Legend of the Lone Ranger” (1981)
- Bats: Classic Film Images Photo Quiz, July 2022 Edition, Vol. 9
- Entropy Is What It Used To Be: “Tenet” (2020)
- Blood and Sand: “The Longest Day” (1962)
- Barred: Classic Film Photo Quiz, June 2022 Edition, Vol. 25 – Life
- Eye of the Needle: Classic Film Images Photo Quiz, April 2022 Edition, Vol. 60
- Repeating Trifle: “Comanche Territory” (1950)
- When Your Fingers Did the Walking: Classic Film Images Photo Quiz, March 2022 Edition, Vol. 411
- Slippery Slopes: Classic Film Images Photo Quiz, Feb. 2022 Edition, Vol. -10
- Whiskers: Classic Film Images Photo Quiz, Jan. 2022 Edition, Vol. 9
- Have I Got A Girl For You: Classic Film Images Photo Quiz, Dec. 2021 Edition, Vol. 35mm
- Smoke Gets In Your Eyes: Classic Film Image Photo Quiz, Nov. 2021 Edition, Vol. 3000
- Pedalers: Classic Film Images Photo Quiz, Oct. 2021 Edition, Vol. 400.6
- They Had Lenses Then: Classic Film Images Photo Quiz, Sept. 2021 Edition, Vol. 35mm
- Exeunt, Joan: “Trog” (1970)
- They Shoot Bad Movies Don’t They?: Classic Film Images Photo Quiz, Aug. 2021 Edition, Vol. 35MM
- …On Gossamer Wings: Classic Film Images Photo Quiz, July 2021 Edition, Vol. 0G
- Swamp Thang: “‘Gator Bait” (1974)
- Blood and Sand: “The Longest Day” (1962)
- Memorium: Classic Film Images Photo Quiz, July 2021 Edition, Vol. 6
- Horse Sense: Classic Film Images Photo Quiz, May 2021 Edition, Vol. 6 Hands
- Without a Clue: “The Stone Killer” (1973)
- Strange Bedfellows: “Public Affairs” (1983)
- Isn’t Running a Sign You’re Up to No-Good?: Classic Film Images Photo Quiz, Apr. 2021 Edition, Vol. 26.2
- All Creatures Great and Small: Classic Film Images Photo Quiz, March 2021 Edition, Vol. 46XXL
- In the Realm of the Insensible: “Jade” (1995)
- Jungle Daze: “Trader Horn” (1973)
- Lurching: “The Addams Family” (2019)
- Noir!: Classic Film Images Photo Quiz, Feb. 2021 Edition, Vol. .38
- Thundering Cliff Notes: “Tombstone” (1993)
- Riding Off Into the Rising Sunset: “Red Sun” (1971)
- Lucky 2021: Classic Film Images Photo Quiz, Jan. 2021 Edition, Vol. 0-0
- Getting Crabs: “Attack of the Crab Monsters” (1957)
- Black and White in Color: “In the Heat of the Night” (1967)
- Castle Redux: “Two on a Guillotine” (1965)
- Heart of Darkness: “Justice League” (2017)
“They! They!”
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A review of Tim Burton's SF satire "MARS ATTACKS!" starring Jack Nicholson, Rod Steiger, Martin Short, Jim Brown and Lisa Marie.
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THE SEEKING OF WISDOM
FILMS DEMANDING REDISCOVERY:
Michelangelo Antonioni's neglected "Identificazione di una donna" relinquishes the metaphysical mire which had plagued the director for over a decade, and offered an introspective view of life, creation, sex and love. A film worthy of attention and serious reappraisal.
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Converting Populist Stooges Into Critical Thinkers In The Blink Of An Eye!
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The essential 1967 Russian film "Viy" was actually the first horror film produced in the Soviet regime.
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LEGAL THREATS & BOSSY MUMBO JUMBO
All material displayed is protected under copyright 2011 by Chandler Swain, Chandler Swain Reviews and parent companies therefore and whatnot. No material will be copied without the written permission of above parties unless the offender wishes to suffer a cruel fate worse than any experienced by a spouse of any reality program housewife, skank or pseudo-trash celebrity. Thou hast been warned. Just kidding.RECOMMENDED SOUNDTRACKS
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FEARLESS LEADER
THE CRITICAL ESTABLISHMENT : AN INTRODUCTION
What is it we seek from the Cinema? It all depends on your point of view.
For some, the movies are a source of seeking refuge from everyday existence, a release from daily tensions and anxieties. This is escapism and it has been the driving factor of the Populist attraction to the movies since the origin of the form. However, if one were to alter the view and regard film without merely the Populist limitations of escapist diversion but also as an Art Form, the perspective deepens and enters the realm of Critical Thought.
Though inconsistent in perspective, each side has validity, and is actually far more dependent on the existence of the other than would first seem possible. In a nutshell, it is a battleground between perceived verisimilitude against the aesthetic Ideal.
In formulating the foundations of The Critical Establishment,
it is necessary to understand the characteristics of each perspective, to note the seemingly contradictory similarities and disparities, and their often inextricable interconnections.THE CRITICAL ESTABLISHMENT : The Reviewer as Vox Populi
In examining both Populist thought and Critical Thinking in Film, it is useful to define the key players in the field: the reviewers and the critics. Though seemingly cut from the same cloth, there is a world of difference. Reviewers are the professional manifestation of the Populist front; reviewers have a primary focus on entertainment value while critics evaluate under an aesthetic criteria, reviewers reward immediate gratification whereas critics seek artistry.
With the burgeoning of internet filmspeak, there is a misconception that the old model of printed press criticism is being eroded by the emergence of an equal internet critical roster. This, however, is a fallacy. One thing is for certain, even with a cursory glance at popular internet movie sites: reviewers are plentiful and genuine criticism of merit is as scarce as water in the Mojave Desert.
The reviewer will generally spend the bulk of their time reprinting the plot synopsis of a film, often almost verbatim from the printed materials of the studio. While this assists handily in filling a column, it does little to illuminate the worth of a film. The reviewer will often spend an inordinate amount of time relaying such unessential data as background gossip, "best" lists and an alarming volume of space on film finances- usually relating to either the film's budget (as if the writer had a financial stake in the enterprise) or opening weekend receipts, neither of which has the slightest bearing on the film's aesthetic achievement.
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- Masterpieces in the Bijou Lobby: The Art of the Film Poster
- Matinees at the Bijoux
- Matinees at the Franklin Cinema
- Momento Mori
- Multiplex Movies
- NIGHTS AT THE ASPEN HILL CINEMA
- NIGHTS AT THE CINEMA 733
- Nights at the Coolidge Corner Theatre
- Nights at the KB Cinemas
- Nights at the Langley Theater
- Nights at the Laurel Drive-In
- Nights at the Orson Welles Cinema
- Nights at the PARK SQUARE CINEMA
- Nights at the Roth Theaters
- Nights at the Sack Cinemas
- Nights at the Silver Theater
- NIGHTS AT THE ST. GEORGE THEATER
- Nights at the State Theater
- NIGHTS AT THE UPTOWN THEATER, WASHINGTON D.C.
- NIGHTS AT THE WHEATON PLAZA PLAYHOUSE
- NITES AT THE SHOPPERS WORLD CINEMA
- POSTS AND RECENT THINKINGS
- Poverty Row
- Remembrance of Films Forgotten
- Retired Puzzles
- Sexual Politics in the Cinema
- SHORT FILMS: The Other Cinema
- The Concession Stand III: Guns of the Quick Nibble Reviews
- THE FILM VAULT: INDEX OF REVIEWED FILMS
- Views From The Screening Room
- WELCOME TO THE WONDERFUL WORLD OF CINEMA
- Notes From The Critical Establishment
- NOW PLAYING AT THE MERCADO CINEMA
- THE MERCADO LOUNGE: a rest stop for the Critical Mind
- The Hollywood Bookshelf
- CHANDLER SWAIN REVIEWS: NITES AT THE DRIVE-IN CINEMA
- The Concession Stand: Quick Nibble Reviews
- CHANDLER SWAIN REVIEWS: ART HOUSE CINEMA
- Chandler Swain Reviews: The Silents
- Sticky Floors, Stained Screens: Days & Nights at The Grindhouse
Yearly Archives: 2015
ALL I WANT FOR CHRISTMAS IS MY TWO FRONT SEATS: 2015 SANTA CINEMA WISHLIST
DEAR CINEMA SANTA, 2015 EDITION During this festive season, when the brief wisps of sunlight become briefer, granting increased concession to the agents of nocturnal chills, howling blasts of wind and the occasional welcome … Continue reading
Cowboys Will Be Boys: “The Sons of Katie Elder” (1965)
“The Sons of Katie Elder” (1965) If the challenge for any film is for that movie to deliver an original and memorable experience, then that challenge may become doubly daunting in the case … Continue reading
Eucharist With Holy Water Chaser: Classic Film Images Photo Quiz, Dec. 2015 Edition, Vol. 3:10
Eucharist With Holy Water Chaser: Classic Film Images Photo Quiz, Dec. 2015 Edition, Vol. 3:10 Being That December signifies several of the most important spiritual days of the calendar year: Christmas and Pearl Harbor Day (when the … Continue reading
Happy Hostage: “Bandolero!” (1968)
“Bandolero!” (1968) A most peculiar entry in the western genre is Andrew V. McLagen’s “Bandolero!”, a film which gives a fresh- though unpersuasive -perspective to the notion of the Stockholm Syndrome, is also a vehicle … Continue reading
Blue Lives Matter: Classic Film Images Photo Quiz, November 2015 Edition, Vol 10-4
BLUE LIVES MATTER: CLASSIC FILM IMAGES PHOTO QUIZ, NOV. 2015 EDITION, VOL. 10-4 Consider for a moment the sad state of societal disorder in which divisive intolerance has become a favored substitution for erudite enlightenment and a ludicrous … Continue reading
Kitty Litter: “Confessions of a Psycho Cat” (1968)
“Confessions of a Psycho Cat” (1968) While the variety of adaptations of Richard Connell’s seminal short story The Most Dangerous Game is impressively eclectic- with the tale attracting cinematic interest from filmmakers on both ends … Continue reading
Garters, Glitter and Gauze: “The Rocky Horror Picture Show” (1975)
“The Rocky Horror Picture Show” (1975) Frank N. Stein: There’s no crime in giving yourself over to pleasure. Audience Response (Boston): There is in Massachusetts. Long a staple of the disappearing urban … Continue reading
Revelations: “Twilight’s Last Gleaming” (1977)
“Twilight’s Last Gleaming” (1977) Starring Burt Lancaster, Richard Widmark, Paul Winfield, Charles Durning, Burt Young, Gerald S. O’Laughlin, Melvyn Douglas, Joseph Cotten, Richard Jaeckel, William Marshall. Screenplay by Ronald M. Cohen & Edward Huebsch, based on the novel ‘Viper Three’ … Continue reading
Pressure Point: Classic Film Images Photo Quiz, October 2015 Edition, Vol. 40
PRESSURE POINT: Classic Film Images Photo Quiz, October 2015 Edition, Vol. 40 If one thing is certain, it’s that if the current White House claims the world is enjoying an historically unprecedented condition of peace and harmony, you had better … Continue reading
Rambling Rogues: “Hatari!” (1962)
“HATARI!” (1962) When considering the 1962 wildlife adventure “Hatari!”, it often appears as though director Howard Hawks has created the world’s first feature-length music video (discounting Disney’s “Fantasia” as having grander artistic aspirations) as throughout … Continue reading
From the Crazy, Mixed-Up Files of Chandler Swain: Classic Film Images Photo Quiz, September 2015 Edition, Vol. 411
From the Crazy Mixed-Up Files of Chandler Swain: Classic Film Images Photo Quiz, September 2015 Edition, Vol. 411 MEMO FROM THE LET’S GET SOMETHING OFF OF OUR CHEST DEPT: There comes a time in the life of every website when a digital version … Continue reading
Chandler’s Trailers: “The Replacement Killers” (1998)
The Replacement Killers” (1998) While, in theory, imitation may be the sincerest form of flattery, in the world of cinema it is more often a sign of the slavish pursuit of capitalizing on what has been proven lucrative by … Continue reading
Littled Big Man: “Duke: We’re Glad We Knew You” edited by Herb Fagen
Littled Big Man: Duke: We’re Glad We Knew You edited by Herb Fagen If one attempts a brief summation of a message one is left with in Herb Fagen’s tributary book Duke: We’re Glad We Knew You, it’s that its subject- … Continue reading
La beauté du monde: Classic Film Images Quiz, August 2015 Edition, Vol. 36-24-36
La beauté du monde: Film Images Quiz, August 2015 Edition, Vol. 36-24-36 Welcome all purveyors of cinematic curiosity to yet another edition of America’s most pointless monthly game, and a source of possible future litigation by the National Organization … Continue reading
Finger of Fate: “Zotz!” (1962)
Timing is everything in comedy. Tom Poston is effectively eccentric in”Zotz!”, a daffy little film with supernatural overtones that is part of a particularly overlooked and all but abandoned mini-genre of film- the college comedy -which enjoyed a brief … Continue reading
Tales of the The Discontented Spouse: “The Tingler” (1959)
“The Tingler” (1959) WARNING: The following review contains plot spoilers. If Vincent Price eventually became labelled with the unwelcome moniker of “The Master of Horror”, it might be confidentially stated that he … Continue reading
Chandler’s Trailers: “Star Trek: The Motion Picture” (1979)
The great surprise of “Star Trek: The Motion Picture” is the complete lack of control which veteran director Robert Wise seems to hold over the entire enterprise. Wise’s prior contributions to the SF genre, the groundbreaking 1951 “The Day … Continue reading
Chandler’s Trailers: “Wagons East” (1994)
John Candy’s final film (he died during the shooting) is a western comedy which will inevitably lead to comparisons to Mel Brooks’ “Blazing Saddles”, an inexplicably overrated effort (but couldn’t that literally define all of his films?) which for … Continue reading
Chandler’s Trailers: “X-Men” (2000)
Bryan Singer’s “X-Men”is in many ways not your usual comic book adaptation: first of all, it dispenses- for the most part -with those annoying origin stories (except for a brief, powerful vignette demonstrating the genesis of the hatred toward nonmutants … Continue reading
Zzzzzzz: CLASSIC FILM PHOTO QUIZ, JUNE 2015 EDITION, VOL. 987654321
Zzzzzzz: Classic Film Photo Quiz, June 2015 Edition, Vol. 987654321 Another month has come and gone and that can only mean one thing (well, actually it could mean several things, but time is short, though not as short … Continue reading
Chandler’s Trailers: “Magnum Force” (1973)
The adventures of San Francisco Police Inspector Harry Callahan continue in Ted Post’s “Magnum Force”; a film in which the enthusiasm for gratuitous bloodshed and mayhem actually rises appreciably from the standard set by Don Siegel’s 1971 “Dirty Harry”, along … Continue reading
Shrinkage: “Fantastic Voyage” (1966)
“Fantastic Voyage” (1966) Has anything given science fiction a worse reputation than the movies? Beyond the obvious necessity of conceiving original ideas to stimulate a movie audience (speaking in general non-genre … Continue reading
Lens Wide Shut: “Aroused” (2013)
“Aroused” (2013) The collision of artistically celebrated photographic sensibilities and the illusion of the pornographic fantasy image is intended to be explored in what is meant to be a sympathetic exposure of … Continue reading
Chandler’s Trailers: “Love Story” (1970)
“Love Story” is a tearjerker of a romantic film that intends to be nothing less or more than a tearjerker romantic film (even the title is more than a little generic, and entirely characteristic of the film’s formulaic leanings), … Continue reading
Make Him Dance, Boys: “Pale Rider” (1985)
In “Pale Rider”, director Clint Eastwood has fashioned not so much a remake of “Shane” as a reinterpretation of the story’s key elements mixed with a retooling of the basic supernal retributive conventions of his own 1973 “High … Continue reading
Mother, May I?: Classic Film Images Quiz, May 2015 Edition, Vol. 6
Mother, May I?: Classic Film Images Quiz, May 2015 Edition, Vol. 6 In this month’s edition of America’s favorite waste of time, The Classic Film Images Quiz- brought to you, as always, by the international smugglers who supply “the streets” … Continue reading
Trigger Fingers: “1941” (1979)
Steven Spielberg’s “1941”is symptomatic of the curious phenomenon particular to youngish directors who have reached a certain level of respectability, only to then inflate their creative impulses to a scale which neither their experience nor their inspiration is … Continue reading
Deep Breaths: “Cold Turkey” (1971)
“Cold Turkey”, Norman Lear’s satirical swipe at the American Heartland, shows the intended imprint of its bite in the very opening moments with a collection of welcome signs to the tiny hamlet of Eagle Rock, Iowa that undercut the original … Continue reading
Chandler’s Trailers: “Breakheart Pass” (1975)
This aberration in the Alistair MacLean canon moves the author’s signatory plot twists, secret identities and hidden motives to the Old West in “Breakheart Pass”, a film plagued with the very fact that it does feature what is, by … Continue reading
The Eyes Have It: Classic Film Images Photo Quiz, April 2015 Edition, Vol. 20/20
The EYES Have It: Classic Film Images Photo Quiz, April 2015 Edition, Vol. 20/20 Being that film is a visual medium, this latest edition of America’s Favorite Internet Diversion That Is Porn-Free Yet Still Causes Participatory Social Embarrassment, … Continue reading
Deconstructing Norman: “Psycho” (1998)
To look upon Gus Van Sant’s supposed shot-by-shot (it’s not) remake of Alfred Hitchcock’s “Psycho” as a grand experiment is to excuse meaningless directorial hubris as a substitution for genuine artistic evolution. It is difficult to fathom what … Continue reading
Chandler’s Trailers: “House on Haunted Hill” (1999)
“House on Haunted Hill” (1999) William Malone’s “House on Haunted Hill” is a reworking of the William Castle 1959 spook house thriller which is mainly notable as starring the memorable Vincent Price and by its use of theatrical gimmickry with … Continue reading
Chandler’s Trailers: “Jack Ryan: Shadow Recruit” (2014)
The problem with the rebooting of a franchise is that it presumes both an interest by an already built-in audience (those who patronized the initial film efforts) to follow a new incarnation that is non-linear to the stories … Continue reading
Chilled, Not Stirred: “The House Across the Lake” (1954)
American “hack novelist” Mark Kendrick (Alex Nicol) sits at a yacht club bar and relates what amounts to a confessional to an unseen stranger (though the intended effect is that he is breaking the fourth wall and speaking … Continue reading
Spy vs. Spy vs. Spy vs. Spy: “Casino Royale” (1967)
“Casino Royale” (1967) This extravagantly produced spy comedy seems literally compulsive about the concept of creative gestation by way of vulgar quantitative excess: the film’s physical production comprising hundreds of sets, thousands of costumes and even an … Continue reading
Chandler’s Mission to Mars: You Too Can Be an Astronaut (don’t forget your toothbrush)
With all of the recent excited chatter (well… maybe not so much, but play along) concerning a possible one-way voyage to the Red Planet (Hopefully, this is not another name for “Commies in Space”!), it behooves the minds … Continue reading
Chandler’s Trailers: “Back to School” (1986)
If there is anything to the comparison of a musical vocalist and a stand-up comedian, certainly there is the matter of an equal sense of internal rhythm and cadence of delivery in defining one’s signatory style. For a case in … Continue reading
Disfunction as an Aphrodisiac: “As Good As It Gets” (1997)
In this James L. Brooks film which is far more relaxed in its sheer entertainment value than its problematic elements have a right to be, the modern updating of movie romantic comedy gets a dousing of Colorful Character … Continue reading
Soldier Boy: CLASSIC FILM IMAGES PHOTO QUIZ, MARCH 2015 EDITION, VOL. 1234
SOLDIER BOY: MARCH 2015 CLASSIC FILM IMAGES PHOTO QUIZ, VOL. 1234 It’s March, that time of the year again when the Ides signify the assassination of Roman dictators, madness creeps into college basketball ranks and most importantly it is time for … Continue reading
The Human Animal: “Planet of the Apes” (1968)
If by its general definition which includes an elemental nihilism in both its thematic genetics and within the limited but evident visual aesthetic, film noir is certainly the most formally pessimistic of the film genres. However, with the … Continue reading
A Dirty Business: “The Bridge at Remagen” (1969)
To watch World War II movies, one might get the general impression that all battles were fought and won by small units of appropriately ethnic collections of colorful characters who somehow overcome enormous odds imposed by both the enemy … Continue reading
Playing Cop: “They Call Me MISTER Tibbs!” (1970)
“They Call Me Mister Tibbs!” is an entirely inconsequential follow-up to the excellent 1967 Norman Jewison crime drama “In the Heat of the Night”, retaining only the title character (the title itself is a direct lift of … Continue reading
Empty Space: “The Black Hole” (1979)
If a science fiction film openly aspires to penetrate the vast mysteries of the unknown, chances are pretty good that it will fail if the ingredients in such an attempt are comprised of such a level of creative … Continue reading
SPECIAL SUPER BOWL EDITION: FEB. 2015 CLASSIC MOVIE IMAGES QUIZ, VOL. 39-27
Once again it is time for America’s favorite competitive game- no not that sorry excuse of homoerotic excess (outside of a stag film where can you see more concentrated hugging, butt slapping and feverish embracing?) called American football -but the … Continue reading
Happy Trails: “Bite the Bullet” (1975)
With the third of his western efforts, Richard Brooks’ “Bite the Bullet” demonstrates the value of an ambitious director operating without a particularly innovative visual sense but a finely honed sense of what’s important in a story (think … Continue reading
Petals and Thorns: “The Little Shop of Horrors” (1960)
________________________________________________________________ “The Little Shop of Horrors” is a more broadly freewheeling horror-comedy than Roger Corman’s savagely on target beat counterculture satire “A Bucket of Blood”, a film with a far more ambitious agenda as it was satirizing a then … Continue reading