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The Discreet Posts of the Bourgeoisie
- Chandler’s Trailers: “The Alphabet Murders” (1965)
- Chandler’s Trailers: “The Card Counter” (2021)
- Chandler’s Trailers: “The Hound of the Baskervilles” (1978)
- Suspicious Minds: “Elvis” (2022)
- Dear Cinema Santa: 2022 Edition
- “There Ain’t No Sanity Clause”: Classic Film Images Photo Quiz, Dec. 2022 Edition, Vol. 12.25
- Untrue Confessions: “Witchfinder General” (1968)
- Concession Stand Bites: “Belfast” (2021)
- Vacancy: “Hotel” (1967)
- Haven’t We Killed Here Before?: “The Formula” (1980)
- Railroaded: “Fool’s Parade” (1971)
- TCM’s Chicken or Egg Conundrum
- Chandler’s Trailers: “The Batman” (2022)
- Boom and Boom Again: “The Suicide Squad” (2021)
- Concession Stand Bites: “The Legend of the Lone Ranger” (1981)
- Bats: Classic Film Images Photo Quiz, July 2022 Edition, Vol. 9
- Entropy Is What It Used To Be: “Tenet” (2020)
- Blood and Sand: “The Longest Day” (1962)
- Barred: Classic Film Photo Quiz, June 2022 Edition, Vol. 25 – Life
- Eye of the Needle: Classic Film Images Photo Quiz, April 2022 Edition, Vol. 60
- Repeating Trifle: “Comanche Territory” (1950)
- When Your Fingers Did the Walking: Classic Film Images Photo Quiz, March 2022 Edition, Vol. 411
- Slippery Slopes: Classic Film Images Photo Quiz, Feb. 2022 Edition, Vol. -10
- Whiskers: Classic Film Images Photo Quiz, Jan. 2022 Edition, Vol. 9
- Have I Got A Girl For You: Classic Film Images Photo Quiz, Dec. 2021 Edition, Vol. 35mm
- Smoke Gets In Your Eyes: Classic Film Image Photo Quiz, Nov. 2021 Edition, Vol. 3000
- Pedalers: Classic Film Images Photo Quiz, Oct. 2021 Edition, Vol. 400.6
- They Had Lenses Then: Classic Film Images Photo Quiz, Sept. 2021 Edition, Vol. 35mm
- Exeunt, Joan: “Trog” (1970)
- They Shoot Bad Movies Don’t They?: Classic Film Images Photo Quiz, Aug. 2021 Edition, Vol. 35MM
- …On Gossamer Wings: Classic Film Images Photo Quiz, July 2021 Edition, Vol. 0G
- Swamp Thang: “‘Gator Bait” (1974)
- Blood and Sand: “The Longest Day” (1962)
- Memorium: Classic Film Images Photo Quiz, July 2021 Edition, Vol. 6
- Horse Sense: Classic Film Images Photo Quiz, May 2021 Edition, Vol. 6 Hands
- Without a Clue: “The Stone Killer” (1973)
- Strange Bedfellows: “Public Affairs” (1983)
- Isn’t Running a Sign You’re Up to No-Good?: Classic Film Images Photo Quiz, Apr. 2021 Edition, Vol. 26.2
- All Creatures Great and Small: Classic Film Images Photo Quiz, March 2021 Edition, Vol. 46XXL
- In the Realm of the Insensible: “Jade” (1995)
- Jungle Daze: “Trader Horn” (1973)
- Lurching: “The Addams Family” (2019)
- Noir!: Classic Film Images Photo Quiz, Feb. 2021 Edition, Vol. .38
- Thundering Cliff Notes: “Tombstone” (1993)
- Riding Off Into the Rising Sunset: “Red Sun” (1971)
- Lucky 2021: Classic Film Images Photo Quiz, Jan. 2021 Edition, Vol. 0-0
- Getting Crabs: “Attack of the Crab Monsters” (1957)
- Black and White in Color: “In the Heat of the Night” (1967)
- Castle Redux: “Two on a Guillotine” (1965)
- Heart of Darkness: “Justice League” (2017)
“They! They!”
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A review of Tim Burton's SF satire "MARS ATTACKS!" starring Jack Nicholson, Rod Steiger, Martin Short, Jim Brown and Lisa Marie.
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THE SEEKING OF WISDOM
FILMS DEMANDING REDISCOVERY:
Michelangelo Antonioni's neglected "Identificazione di una donna" relinquishes the metaphysical mire which had plagued the director for over a decade, and offered an introspective view of life, creation, sex and love. A film worthy of attention and serious reappraisal.
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Converting Populist Stooges Into Critical Thinkers In The Blink Of An Eye!
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MANDATORY CINEMA FOR THE CRITICAL MIND
The essential 1967 Russian film "Viy" was actually the first horror film produced in the Soviet regime.
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LEGAL THREATS & BOSSY MUMBO JUMBO
All material displayed is protected under copyright 2011 by Chandler Swain, Chandler Swain Reviews and parent companies therefore and whatnot. No material will be copied without the written permission of above parties unless the offender wishes to suffer a cruel fate worse than any experienced by a spouse of any reality program housewife, skank or pseudo-trash celebrity. Thou hast been warned. Just kidding.RECOMMENDED SOUNDTRACKS
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FEARLESS LEADER
THE CRITICAL ESTABLISHMENT : AN INTRODUCTION
What is it we seek from the Cinema? It all depends on your point of view.
For some, the movies are a source of seeking refuge from everyday existence, a release from daily tensions and anxieties. This is escapism and it has been the driving factor of the Populist attraction to the movies since the origin of the form. However, if one were to alter the view and regard film without merely the Populist limitations of escapist diversion but also as an Art Form, the perspective deepens and enters the realm of Critical Thought.
Though inconsistent in perspective, each side has validity, and is actually far more dependent on the existence of the other than would first seem possible. In a nutshell, it is a battleground between perceived verisimilitude against the aesthetic Ideal.
In formulating the foundations of The Critical Establishment,
it is necessary to understand the characteristics of each perspective, to note the seemingly contradictory similarities and disparities, and their often inextricable interconnections.THE CRITICAL ESTABLISHMENT : The Reviewer as Vox Populi
In examining both Populist thought and Critical Thinking in Film, it is useful to define the key players in the field: the reviewers and the critics. Though seemingly cut from the same cloth, there is a world of difference. Reviewers are the professional manifestation of the Populist front; reviewers have a primary focus on entertainment value while critics evaluate under an aesthetic criteria, reviewers reward immediate gratification whereas critics seek artistry.
With the burgeoning of internet filmspeak, there is a misconception that the old model of printed press criticism is being eroded by the emergence of an equal internet critical roster. This, however, is a fallacy. One thing is for certain, even with a cursory glance at popular internet movie sites: reviewers are plentiful and genuine criticism of merit is as scarce as water in the Mojave Desert.
The reviewer will generally spend the bulk of their time reprinting the plot synopsis of a film, often almost verbatim from the printed materials of the studio. While this assists handily in filling a column, it does little to illuminate the worth of a film. The reviewer will often spend an inordinate amount of time relaying such unessential data as background gossip, "best" lists and an alarming volume of space on film finances- usually relating to either the film's budget (as if the writer had a financial stake in the enterprise) or opening weekend receipts, neither of which has the slightest bearing on the film's aesthetic achievement.
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- Matinees at the Franklin Cinema
- Momento Mori
- Multiplex Movies
- NIGHTS AT THE ASPEN HILL CINEMA
- NIGHTS AT THE CINEMA 733
- Nights at the Coolidge Corner Theatre
- Nights at the KB Cinemas
- Nights at the Langley Theater
- Nights at the Laurel Drive-In
- Nights at the Orson Welles Cinema
- Nights at the PARK SQUARE CINEMA
- Nights at the Roth Theaters
- Nights at the Sack Cinemas
- Nights at the Silver Theater
- NIGHTS AT THE ST. GEORGE THEATER
- Nights at the State Theater
- NIGHTS AT THE UPTOWN THEATER, WASHINGTON D.C.
- NIGHTS AT THE WHEATON PLAZA PLAYHOUSE
- NITES AT THE SHOPPERS WORLD CINEMA
- POSTS AND RECENT THINKINGS
- Poverty Row
- Remembrance of Films Forgotten
- Retired Puzzles
- Sexual Politics in the Cinema
- SHORT FILMS: The Other Cinema
- The Concession Stand III: Guns of the Quick Nibble Reviews
- THE FILM VAULT: INDEX OF REVIEWED FILMS
- Views From The Screening Room
- WELCOME TO THE WONDERFUL WORLD OF CINEMA
- Notes From The Critical Establishment
- NOW PLAYING AT THE MERCADO CINEMA
- THE MERCADO LOUNGE: a rest stop for the Critical Mind
- The Hollywood Bookshelf
- CHANDLER SWAIN REVIEWS: NITES AT THE DRIVE-IN CINEMA
- The Concession Stand: Quick Nibble Reviews
- CHANDLER SWAIN REVIEWS: ART HOUSE CINEMA
- Chandler Swain Reviews: The Silents
- Sticky Floors, Stained Screens: Days & Nights at The Grindhouse
Category Archives: Entertainment
Dear Cinema Santa: 2022 Edition
Dear Cinema Santa: 2022 Edition ‘Tis the time of year when Hollywood winds down into its shameless baiting for award season recognition with the latest slate of feel-good holiday slasher films, scatalogical comedies and finger-wagging agenda dramas aimed at deflating … Continue reading
“There Ain’t No Sanity Clause”: Classic Film Images Photo Quiz, Dec. 2022 Edition, Vol. 12.25
“There Ain’t No Sanity Clause”: Classic Film Images Photo Quiz, Dec. 2022 Edition, Vol. 12.25 With all due deference to Chico Marx, with the approach of that most irresistible season of blind avarice, it is incumbent on that deservedly … Continue reading
Rosencrantz and Guildenstern Go to Gift Wrap: Classic Film Images Photo Quiz, Dec. 2017 Edition Part Deux, Vol. 25
Rosencrantz and Guildenstern Go to Gift Wrap: Classic Film Images Photo Quiz, Dec. 2017 Edition Part Deux, Vol. 25 In Tom Stoppard’s absurdist play, two minor figures from Shakespeare’s Hamlet are granted the center stage in a theatrical … Continue reading
A View From the Dark: Movie Freak by Owen Gleiberman
A View From the Dark: Movie Freak by Owen Gleiberman The appetite publishers seem to have for printing the memoirs of even the most irrelevant movie personalities appears insatiable; so much so that in recent years this pseudo-gossipy, trivially anecdotal framework … Continue reading
Life in Bloom: Classic Film Images Photo Quiz, May 2016 Edition, Vol. 111
Life in Bloom: Classic Film Images Photo Quiz, May 2016 Edition, Vol. 111 Despite the grand apocalyptic allusions to global warming, orbital rotational shifts or the mysterious shortage of stylishly lapelled union suits, there can be no question that Spring is … Continue reading
Pressure Point: Classic Film Images Photo Quiz, October 2015 Edition, Vol. 40
PRESSURE POINT: Classic Film Images Photo Quiz, October 2015 Edition, Vol. 40 If one thing is certain, it’s that if the current White House claims the world is enjoying an historically unprecedented condition of peace and harmony, you had better … Continue reading
AUGUST 2014 CLASSIC FILM IMAGES QUIZ, VOL. 222
TEACH YOUR CHILDREN EDITION: AUGUST 2014 CLASSIC FILM IMAGES QUIZ, Vol. 222 Welcome back to America’s favorite waste of time and space (that’s SCIENCE 101, baby), the CLASSIC FILM IMAGES QUIZ, brought to you by those wonderful folks who foil … Continue reading
JULY 2014 CLASSIC FILM IMAGES QUIZ, VOL. 1776
V-A-C-A-T-I-O-N EDITION: JULY 2014 CLASSIC FILM IMAGES QUIZ, VOL. 1776 It’s time to pull out the Coppertone, ship those vile, unwanted kids off to summer camp where they’ll learn life lessons in hiking through poison ivy and the competitive … Continue reading
MONTHLY PHOTO QUIZ VOL. 8
“THE OUTLOOK IS DOUBTFUL”- MAGIC 8 BALL EDITION: JUNE 2014 CLASSIC FILM IMAGES QUIZ, VOL. 8 Welcome to another edition of the monthly Classic Film Images quiz. Today we are doing a bit of Spring cleaning by shaking out the … Continue reading
A View From the Cheap Seats: “The Movie That Changed My Life” edited by David Rosenberg
With the wealth (actually gluttonous overabundance) of film books published examining, probing, criticizing, reinterpreting, psychoanalyzing, and performing generally obscure, obtuse and cryptic academic microsurgery-some so labyrinthine in the expression of an aesthetic philosophy, they might as well be expressed … Continue reading
Buy a Drive-In Theater! (Well… not really, but read on and support a worthy initiative which will preserve and defend a precious American tradition, and perhaps aid in defeating the lingering Communist menace at the same time.)
Another interesting tidbit which has crossed the desk of the Swain News Service, but first our usual editorial tirade: In American life, progress is generally defined as eliminating tradition by way of the excuse of advancing technology, changing … Continue reading
Beatles in a Bell Jar: “Let It Be” (1970)
Sitting through Michael Lindsay-Hogg’s “Let It Be” is not dissimilar to sitting behind someone in a theater and staring at the back of their head, mentally trying to make them turn around: it’s pointless, it doesn’t really work … Continue reading
The 2013 Annual Critical Establishment Readers Survey
________________________________________________________________ All readers, bloggers and film enthusiasts are encouraged to participate in the following 59 question survey. ________________________________________________________________________________ 01. Who/what do you feel is the most overrated actor, actress, director and film? 02. Who/what do you feel is the … Continue reading
MONTHLY PHOTO QUIZ VOL. 441
HISTORY IS OLD NEWS: SEPTEMBER CLASSIC FILM IMAGES Ah, the good old days. Plagues, extinction level meteors, worldwide armed conflicts, the career of Elizabeth Taylor. OK, so maybe the past was hideous, filled with horrific events that will disturb Mankind … Continue reading
MONTHLY PHOTO QUIZ VOL. 433
Despite the best efforts of the Millennials (a.k.a., the Generation Y, as in “Y do they exist?” collective) to dismiss the very existence of anyone over the age of 30 (which puts the elder of their clique against the firing … Continue reading
MASS ESCAPISM: “VON RYAN’S EXPRESS” (1965)
Despite the sterling example of Jean Renoir’s “Grand Illusion”, the prisoner of war escape film did not find a wide popularity until well after the Second World War, presumably as the propagandistic value of the war film during actual … Continue reading
Soap Opera: “The Phantom of the Opera” (1925)
How fortunate for Mary Philbin that in her portrayal of fledgling opera singer Christine Baaé, she is not under the technical requirements to convincingly render the voice of an operatic diva, as per the evidence onscreen, the capacity to … Continue reading
MONTHLY PHOTO QUIZ VOL. 684
PORTRAIT OF A PHOTO AS A TRIVIALITY: JUNE CLASSIC FILM IMAGES QUIZ June is the month of Joyce. James Joyce. Actually, any month is a time for good reading, but the pressure of coming up with new and interesting … Continue reading
The Colour Out of Place: “South Pacific” (1958)
The 1958 Joshua Logan film of “South Pacific” is a perfect demonstration of the value of the movie soundtrack album as a preferable experience over a film. In the former, there is much pleasure to be gained aurally … Continue reading
Double Exposed: “My Week With Marilyn” (2011)
“My Week With Marilyn” reacquaints the filmmaking world with an occasion to celebrate its favorite subject- itself -in an ultimately pointless exercise in dishonest nostalgia for the sake of the film world’s own self-love. Portraying real-life personages is always … Continue reading
The Look of Love: “Stolen Face” (1952)
Given the fixation the studios had in manipulating audiences, is it any wonder that the “Golden Age” age cinema is awash in overly produced symphonic assaults on the soundtrack, designed to emphasize to the audience the desired way in … Continue reading
Unfair Play: “The Cheat” (1915)
Cecil B. DeMille’s 1915 “The Cheat” is a morality play that manages the hypocritical feat of allowing the guilty embezzler, the shallow socialite Edith Hardy, to escape punishment from both the law and her particular social class, but excoriate … Continue reading
Saving Ciphers: “Argo” (2012)
There has been so much hoopla constructed around Ben Affleck’s “Argo”. most of it concentrated on the meaningless and continuously distasteful circus that is the Hollywood Awards Season- the seemingly year-round orgy of masturbatory, unmerited self-congratulation -with much of … Continue reading
Shooting Blanks: “Death Wish” (1974)
“Death Wish” is a genuine curiosity; a terrible movie which prompted a great deal of useful, spirited and intelligent sociopolitical discussion. The theme of the film is justice, or rather the lack of it, and the rise of vigilantism … Continue reading
Sex, Drugs and TV: “The Groove Tube” (1974)
Ken Shapiro’s “The Groove Tube” is a raggedy collection of skits satirizing television ads and programs, a not especially challenging target that is met with a lack of conceptual focus and a wildly variant acuity of wit. In fact, … Continue reading
Shapeless: “The Blob” (1958)
Irvin S. Yeaworth Jr.’s “The Blob” is a film with an impressive cult legacy, but one that yields few actual rewards upon viewing. This small-town teen versus space monster picture does distinguish itself from many of the grade-B (or … Continue reading
Space Disgrace: “Frankenstein Meets the Space Monster” (1965)
With “Frankenstein Meets the Space Monster” the Gothic trappings of Mary Shelley’s seminal work of horror literature are abandoned in the service of timely expediency in capitalizing on the then-current frenzied Space Race, with the concept of the eponymous … Continue reading
The Stuff of Dreams: “Trollhunter” (2010)
The sub-genre of the “found film” mockumentary hit the financial jackpot with the tiresome “The Blair Witch Project”, a film which benefited from a wealth of carefully manipulated anticipation by way of Internet hype, but emerged without an … Continue reading
Headcase: “The Brain That Wouldn’t Die” (1962)
With “The Brain That Wouldn’t Die”, no discussion would be complete without a concession to the fertile soil that is exploitation cinema, to which this film is a classical example, especially as filtered through the then popular (but still … Continue reading
Russian Roue: “Love and Death” (1975)
Woody Allen’s first overt dive into the realm of the serious (though not approached seriously) is an interesting amalgam of 19th Century Russian literature, the cinema of Eisenstein and Bergman all seen through the eyes of his sarcastic horndog … Continue reading
A Funny Thing Happened On the Way to the End of the World: “The Omega Man” (1971)
The odd thing about an apocalypse are all of the errands you have to deal with afterwards. One might assume that the obliteration of the world’s population might lead to some leisurely quiet time for the lone survivor, but this … Continue reading
A Most Peculiar Love Story: “The Abominable Dr. Phibes” (1971)
Robert Fuest (September 27, 1927 – March 21, 2012) With its roots in the serial murder giallo tradition of both Mario Bava’s“The Girl Who Knew Too Much” and “Blood and Black Lace”, … Continue reading
The Good, The Bad and the Baddest: “The French Connection” (1971)
Being a narc is assuming the role of a soldier in a never-ending war with the urban streets as the battleground; the debris littered alleys and dark, smoky dive bars being the jungle in which only the criminally depraved … Continue reading
A LOST AND EPIC GRANDEUR: “THE BIG TRAIL” (1930)
In the late ’20’s, movie mogul William Fox envisioned a leap in motion picture production with the technological breakthrough of 70mm film in WIDESCREEN. Teaming with director Raoul Walsh, the result of this dream was the truly monumental 1930 Western epic … Continue reading