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The Unkindest Cuts; or, How to use unchecked political correctness to victimize the very people you intend to protect: “Freaks” (1932)

     Long time the standard by which all “Golden Age” Hollywood horror films are compared for a sense of shock and gratuitous exploitation (it was released months before the decades long inception of the Production Code), Tod Browning’s 1932 “Freaks” is … Continue reading

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