Tag Archives: 1970’s films

Love Intestinal-Style: “Andy Warhol’s Frankenstein” (1974)

    Filmed immediately prior to “Andy Warhol’s Dracula”, more popularly known as “Blood For Dracula”, Paul Morrissey’s “Andy Warhol’s Frankenstein”, filmed under and later re-released under the title “Flesh For Frankenstein” after initial U.S. engagements which capitalized on the fame … Continue reading

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The Devil’s in the Details: “The Devil in Miss Jones” (1973)

    After the release of “Deep Throat” there were a number of graphic, sexual films that met with both unexpected public enthusiam and excited media attention, that would form the basis of the temporarily fashionable trend known as “porno … Continue reading

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Changing Times: “There Was a Crooked Man…” (1970)

    If there were ever a film which demonstrates the confusion of veteran Hollywood studio directors in adapting to the then-newly found freedom afforded filmmakers with the abolition of the Production Code, it’s Joesph L. Mankiewicz’ 1970 serio-comic western, “There Was … Continue reading

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Mixed Messages: “Halls of Anger” (1970)

    Paul Bogart’s “Halls of Anger” finds a barely perceptible niche in the often inflammatory tradition of Hollywood films that claim to expose the volatile underbelly of modern urban education, with all appropriate delinquencies bubbling forth in a gladiatorial arena … Continue reading

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Shooting Blanks: “Death Wish” (1974)

    “Death Wish” is a genuine curiosity; a  terrible movie which prompted a great deal of useful, spirited and intelligent sociopolitical discussion. The theme of the film is justice, or rather the lack of it, and the rise of vigilantism … Continue reading

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Sex, Drugs and TV: “The Groove Tube” (1974)

   Ken Shapiro’s “The Groove Tube” is a raggedy collection of skits satirizing television ads and programs, a not especially challenging target that is met with a lack of conceptual focus and a wildly variant acuity of wit. In fact, … Continue reading

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Shoot. Load. Repeat.: “The Enforcer” (1976)

   It begins as a Squeaky Fromme wannabe is picked up by two gas company employees who are swiftly dispatched in rather gruesome fashion by blonde haired, blue-eyed psychopath Bobby Maxwell (DeVeren Bookwalter in full drooling grimace mode). These are … Continue reading

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With Extreme Prejudice: “El Condor” (1970)

  John Guillerman’s “El Condor” is a noisy, violent, preposterous western of the variety that became extremely popular with studios in the Sixties (Richard Brooks’ “The Professionals” being the most accomplished example) often blending elements with the fading noir genre … Continue reading

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Windbag: “The Hindenburg” (1975)

    The movies love a mystery, especially one based on historical fact as it affords Hollywood the opportunity to do something which it prides itself on doing better than any omnipotent deity: improving on real life. This unnatural (and … Continue reading

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Baby Steps: “The Mind of Mr. Soames” (1970)

John Soames is a thirty year old man who has lived in a coma since birth,  until a team of doctors, including an eminent surgeon, believe they have the answer to his perpetual stasis and proceed to awaken him mindful … Continue reading

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Russian Roue: “Love and Death” (1975)

   Woody Allen’s first overt dive into the realm of the serious (though not approached seriously) is an interesting amalgam of 19th Century Russian literature, the cinema of Eisenstein and Bergman  all seen through the eyes of his sarcastic horndog … Continue reading

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A Funny Thing Happened On the Way to the End of the World: “The Omega Man” (1971)

The odd thing about an apocalypse are all of the errands you have to deal with afterwards. One might assume that the obliteration of the world’s population might lead to some leisurely quiet time for the lone survivor, but this … Continue reading

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Grand Delusion: “EQUUS” (1977)

   It’s an unfortunate circumstance when talented film makers fortified with the best of intentions get carried away with their efforts, becoming quite pleased with themselves that unlike the majority of commercial craftsmen they are tackling important ideas, and due … Continue reading

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The Good, The Bad and the Baddest: “The French Connection” (1971)

     Being a narc is assuming the role of a soldier in a never-ending war with the urban streets as the battleground; the debris littered alleys and dark, smoky dive bars being the jungle in which only the criminally depraved … Continue reading

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