Poe in the Cinema: “The Tell-Tale Heart” (1953)

CHANDLER SWAIN REVIEWS

 

telltaleheart1953     Notoriously unlucky in the myriad of film translations of his work, Edgar Allan Poe finds an unlikely ally with the techniques of a minimalist animation style from U.P.A. Studios, a happy meeting of the literary and the graphic arts to produce one of the finest cinematic interpretations of the author.

     The U.P.A. style, which rejects the attempts at mimicking realism, championed by the Disney studio, allows for the advancement of a film to find a uniquely individual visual voice, produced with a stylized design specific to subject of the film. Employing a technique which came to be known as “limited” animation, eschewing the need for the quantity of individual painted cels necessary to recreate the fluidity of live action, the animators at U.P.A. were able to ingeniously use the mixture of vivid narration (void of the visuals, the soundtrack alone would make for satisfying radio drama) and…

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About chandlerswainreviews

I've been a puppet, a pirate, a pauper, a poet, a pawn and a king, not necessarily in that order. My first major movie memory was being at the drive-in at about 1 1/2 yrs. old seeing "Sayonara" so I suppose an interest in film was inevitable. (For those scoring at home- good for you- I wasn't driving that evening, so no need to alert authorities.)Writer, critic and confessed spoiler of women, as I have a tendency to forget to put them back in the refrigerator. My apologies.
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1 Response to Poe in the Cinema: “The Tell-Tale Heart” (1953)

  1. beetleypete says:

    One I have never seen. I prefer live drama to animation, as a rule.
    Best wishes, B. Stoker.

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