“Monstrosity” is a film that has a great deal on its plate but none of it worth doing as it has already all been done better. And worse. Hence we are privy to a narration (spoken by Bradford Dillman) postulating the wonders of brain transplantation and its connection to vampiric legend (don’t ask) as well as a sexy corpse, a mad scientist, a nocturnal prowling man-beast, a murder and grave robbing. And that’s only in the first four minutes. Unfortunately, sheer quantity of borrowed horror movie elements does not necessarily produce a better film, merely a traffic jam.
Cleverly named scientist Dr. Frank (Frank Gerstle) is experimenting with brain transplantation using the bodies of recently deceased, very healthy looking young women. Regardless of the fact that there is no explanation as to the availability of so much freshy departed female meat in such a desolate location, the experiments proceed with the usual monstrous blunders (hence the title of the film) present in every mad scientist film, including the aforementioned man-beast; the product of an animal brain placed inside a human body (though why this makes the subject suddenly look like a denizen of Dr. Moreau’s summer cottage is another unexplained mystery of science). Frank’s research is funded by a miserly old woman, Mrs. March (Marjorie Eaton) whose interest is motivated by her own desire to have her brain transplanted into the body of a nubile young woman. Also in her employ is Victor (Frank Fowler), a toady who practically salivates at the prospect of grabbing onto Mrs. March’s money (though Mr. Dillman reminds us that the unsavory rewards of romantic attachment to a twenty-something pin-up girl only for her to have the mind of a crotchety octogenarian). The scheme nears fruition with the importation of three foreign domestics- Nina (Erika Peters), Beatrice (Judy Bamber) and Anita (Lisa Lang) -who, unlike most women in peril in horror films, seem acutely aware that something is amiss from the very start, but feel powerless to take countermeasures.
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