Films that purport to be Exploitation cinema but follow the routine thematic formulas of this breed of cinema without encompassing genuine prerequisite exploitation elements is simply trash without a reason to exist. Jack Hill’s “Switchblade Sisters” (alternately titled “The Jezebels”, without any greater success) is such an animal; a mutt masquerading as an overbred canine- a compendium of drive-in trash cinema clichés encompassing a random Column A/Column B selection from gang films, blaxploitation cinema, vigilante films, drug films, teen films, sexploitation cinema and women-in-prison melodramas- with no apparent decision ever made on which avenue to focus on. Its a virtual “greatest hits” version of exploitation but on somnambulist cruise control.
The film follows the exploits of two high school gangs, though most of the participants look about a decade too old, one named the Daggers and their female counterpart The Dagger Debs, who later in a break from the male of the species, to become The Jezebels. The events that lead to this change bring about the only remotely interesting aspect of the film; an indelible feminist viewpoint of empowerment.
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