Retaining only the outline of H.P. Lovecraft’s original 1928 short story and the names of a few of the main characters, Daniel Haller’s film is a useful case study in examining the challenges with the adaptive process of “classic” horror literature into film most prominently represented at American International Pictures during the 1960’s and early 70’s. In this period, Roger Corman was able to direct a series of celebrated adaptations of Edgar Allan Poe stories (and a poem with “The Raven”) that were significantly altered from their original narrative details mainly due to the nature of many of the stories, rather than through arrogant evisceration.
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